Frame
(1990, 3 mins.)
by Lew Alquist observes light on the surface of an outdoor movie screen.

Travelling Light
( 1976, 5 mins.)
by Jane Aaron follows the path of sunlight as it moves through a house over the course of a day.

Zea
(1981, 5 minutes)
by Andre and Jean-Jacques Leduc is a visual tour-de-force that transforms the commonplace.

100 Watts, 120 Volts
(1980, 9 min.)
by Carson Davidson follows the making of a light bulb from start to finish!

Please Don't Stop
(1988, 8 min.)
by Stephanie Maxwell is an abstract film in which the filmmaker does not use a camera to create the images. Instead,paint is applied directly to the film to create lively swirls of color.

In Plain Sight
(1981, 5 min.)
by Jane Aaron uses drawing techniques to animate the landscape where she lives.

Flip Film
(1999, 1 min.)
by Alphonso Alvarez and Ellen Ugelstad is an animated flip book.

Daybreak Express
(1958, 5 mins.)
by D.A. Pennebaker plays with tempo and reflection as an elevated train races through New York City in the 1950's.

Panorama
(1982, 13 min.)
by Michael Rudnick captures the endless shift of light, reflection and shadow from moving clouds, sunsets and vistas filmed from his San Francisco rooftop.

Eyes to Earth
(1986, 10 mins.)
by Tom Van Sant is a continuous zoom which begins 22,000 miles above earth and ends on a street corner in Los Angeles.

Free Radicals
(1953, 4 min.)
by Len Lye creates 3-D animated space by the simple action of scratching lines onto black film.